-
Varnishing of the work “30th March 1814” – Charles Louis Muller
After the maintenance work was completed, the painting surface was cleaned of any adhesive residues and the work was left to dry completely, the maintenance staff of EPMAS proceeded to … Read more
-
Reinforcement of the fabric support of the “30th March 1814” project – Charles Louis Muller
Εξαιτίας των σχισιμάτων, των οπών και της οξείδωσης του αυθεντικού υφασμάτινου υποστηρίγματος του έργου του Μίλλερ αποφασίστηκε, για την ενίσχυση της μηχανικής του αντοχής, να συγκολληθεί σε νέο ύφασμα. Preparing … Read more
-
Fixing and repairing cracks in the work “30th March 1814” – Charles Louis Muller
After the cleaning was completed and the old local patches were removed, the crack and hole locations had to be settled and stabilized before the next stage of maintenance. For … Read more
-
Cleaning of the work “30th March 1814” – Charles Louis Muller
In the case of C.L.L. Muller’s work “30th March 1814” (P.161) the painting surface was covered with dust and years of deposits. A dark yellowish veil covered the entire surface. … Read more
-
Preliminary photographic documentation of the project “30th March 1814”
On Tuesday 31 May 2022, a technical meeting of the partners of the PROTEAS project took place in Athens, at the conservation workshops of the National Gallery – Alexandros Soutsos … Read more
-
PROTEAS – OPEN LAB – Visit by students from the Department of Conservation of Antiquities and Works of Art, to the conservation area / April 2023 – National Sculpture Gallery
In the context of the long-standing and close collaboration between the Directorate of Art Conservation of the National Gallery and the Department of Conservation of Antiquities and Works of Art … Read more
-
PROTEAS – OPEN LAB – Visit by members of the K.E.THE.A INTERVENTION community to the conservation area / February 2023 – National Sculpture Gallery
The primary idea of the PROTEAS project is to bring the general public closer to the work of art conservators and researchers through the creation of an open-view laboratory (EATh). … Read more
-
PROTEAS – OPEN LAB – Placing the artwork on its canvas / July 2023 – Exhibition space for Western European Painting
On Thursday, July 13th, as part of the PROTEAS – OPEN LAB program, an initiative that brings the general public closer to the art conservation process, museum visitors had the … Read more
-
PROTEAS – OPEN LAB – Open guided tour for the public during maintenance works / March 2023 – National Sculpture Gallery
Behind the scenes of the Art Conservation at EPΜΑS, in a specially designed space at the National Sculpture Gallery in Goudi, conservation work was carried out on the monumental painting … Read more
Archive
No archives to show.
Categorise
Recent Posts
Tags
There’s no content to show here yet.
